Commercial Art a Complete Guide to Drawing Illustration Cartooning Pdf
Footage of Milton Caniff, Hal Foster, Bud Fisher, Chic Young, Al Capp and other cartoonists at work in their studios…
"Passing Parade: People On Paper" (MGM/1945)
(Quicktime 7 / 24 megs)
REG'LAR FELLERS, LI'Fifty ABNER, Flash GORDON, TERRY & THE PIRATES, GAGS & GALS, STEVE CANYON… See The Men Behind The Comics
Today, we began digitizing an of import book… Cistron Byrnes' Complete Guide To Cartooning 1950. Marc Crisafulli and David Rex generously lent united states of america a copy of this amazing collection of capsule features on all of the major cartoonists of the early 50s for digitization. It's said that Ralph Bakshi learned to cartoon from this book.
In the coming days, I will exist posting more from this volume, along with a little biographical info on the featured artists. Today, the cartoonists profiled are all newspaper comic strip creators… Cistron Byrnes, Jefferson Machamer, Alex Raymond, Louis Eisele, Charles Voight, Al Capp and Milton Caniff.
By Factor Byrnes
Gene Byrnes intended a career in sports, but later on being laid up from a leg injury in 1911, he took to copying cartoons by Tad Dorgan and decided to take a correspondence course in cartooning. He began his career every bit a professional cartoonist with the help of Winsor McCay, who got him a task with the New York Telegram equally a sports cartoonist around 1915. In 1917, he created his almost famous strip, Reg'lar Fellers. which ran for over thirty years. He wrote several influential books on cartooning and illustration in the 40s and early 50s. He passed away in 1974.
By Alex Raymond
Alex Raymond is best known for creating the comic strip, Flash Gordon in 1933. He was responsible for several other of import strips as well, as creator or ghost artist, including Rip Kirby, Jungle Jim, Tim Tyler's Luck and Tillie the Toiler. His strip, Secret Agent X9 was created in collaboration with Dasheill Hammett. He died in a automobile accident in 1956.
Thomas Jefferson Machamer began every bit a staff artist on the Kansas City Star in the early on 1920s, and soon moved to New York, where he secured work with the New York Tribune. He fabricated his proper noun with his cartoons of pretty girls in Gauge magazine in the tardily 1920s. In 1932, his strip, Gags & Gals debuted in the New York Mirror. He connected to exist agile in both newspaper cartoons and mag illustration throughout the 40s and 50s, and passed away in 1960.
I don't have any information on Louis Eislele. If anyone out there knows his biographical details, please postal service them to the comments below.
Charles Voight was known as a "girl specialist" with illustrations and comics in the New York World and Life mag in the early on decades of the 20th century. His strips included Petey Dink and Betty. He passed away in 1947.
By Al Capp
At the historic period of nine, Al Capp lost a leg in a streetcar accident. He became the youngest syndicated cartoonist in the country at age 19 with his strip, Colonel Gilfeather. He ghosted the strip Joe Palooka for Ham Fischer for a while, before striking out on his own with Li'l Abner in 1934. The strip was amid the about popular of all time, entering the pop civilisation with Capp's creations like "Sadie Hawkins 24-hour interval", "Kickapoo Joy Juice" and "The Shmoo". Capp's strip inspired a Broadway musical and characteristic film and ran until 1977. Capp died two years later on.
By Milton Caniff
Milton Caniff was born in Ohio in 1907. He took a job equally a staff artist with the Associated Press in 1932, and shortly inherited Al Capp's strip Colonel Gilfeather when Capp left the syndicate. In 1934, Caniff created the comic strip he is all-time known for, Terry and the Pirates. The series was hugely pop throughout the state of war years, but Caniff didn't own the copyright- it belonged to The Chicago Tribune/New York Daily News. He left the comic behind to create a new one, Steve Coulee, which spawned a short-lived television set series and ran until Caniff's death in 1988.
In this section, there are three articles on how to get fresh ideas, Byrnes goes through the newspaper analyzing the appeal of various comic strips, and Chic Young and Hal Foster are featured.
By Dana Coty
I don't accept much information on Dana Coty (Dec. xix, 1901 – March 19, 1962) aside from the fact that he worked at Disney in the mid-30s, and was a story human being at Famous Studios.
on EDITORIAL IDEAS
"Ding" Darling was a Pulitzer Prize winning cartoonist for the Sioux City Journal, The Des Moines Annals, the New York Herald Tribune and the New York World. His editorial cartoons dealing with conservation causes were a staple of the opinion sections of many papers for decades. He passed abroad in 1962.
By Sam Cobean
Sam Cobean was an inbetweener on Snow White, barely surviving on $16 a week, when he joined the strikers fighting for the cosmos of the Screen Cartoonists Order. After returning to work when the contract was settled, Sam realized that Disney was not the place for him and took a job every bit a re-create boy at the Washington Mail. At that place, he developed an interest in political cartoons. During the state of war, he worked in a unit producing grooming cartoons and pamphlets along with cartoonist Charles Addams. Addams introduced him to the editor of the New Yorker, and Cobean's cartoons appeared there for many years afterwards. In 1950, he created a book of cartoons, titled "Cobean's Naked Heart" which was a bestseller. He died in a auto accident in 1951.
In this section, Gene Byrnes analyzes the manner and entreatment of various contemporary paper comics. The almost interesting thing well-nigh the strips he features is the loftier level of draftsmanship, and the diverse multifariousness of styles and approaches to the medium. Newpaper comics were once considered the summit of cartooning… but today, they take plunged to its nadir. Comparison Prince Valiant to Drabble or Bringing Up Father to Cathy is a depressing task. Information technology'south shameful that so dandy an artform has been allowed to deteriorate then far. I hope there are aspiring cartoonists out there who are willing to accept up the difficult task of restoring the comics page to its rightful place in American culture over again. This overview is a good identify to start investigating the forgotten art of newspaper cartooning.
Featuring Chic Young & Hal Foster
Chic Young was born in 1901 and began his career every bit a newspaper cartoonist in 1923. His start strip for King Features was Dumb Dora and in 1930, he created the strip, Blondie, one of the longest running newspaper comics of all time. He drew information technology until he passed abroad in 1973, and his son, Dean continues to write it to this day. Blondie was hugely successful and spawned flick and TV adaptations.
Hal Foster was raised in the wilds of Halifax, Nova Scotia where he was an gorging boater and outdoorsman. He dropped out of school in the ninth grade and began a course of self education studying sketching and anatomy. He set art aside to become a hunting guide and gold prospector, only at historic period 28, he decided to devote his life to a career in art. He received classical training at the Chicago Art Establish, the National Academy of Blueprint and the Chicago Academy of Fine Arts. In 1927, he was contracted to do a comic strip accommodation of Edgar Rice Burroughs' Tarzan of the Apes. 1n 1937, Foster introduced an original property, Prince Valiant, the most successful hazard strip of all time. Foster produced the strip for over 40 years, passing away in 1982.
Other artists featured in this department are Jimmy Hatlo, Otto Soglow, George McManus, Chester Gould and Frank Male monarch… all worthy of spending a few minutes Googling and reading upward on.
The posts I present here at Animation Resources aren't intended to be the final discussion on whatsoever subject, particularly one as big and multifaceted as the history of cartooning. My promise is that you utilize these posts every bit a springboard for your own investigation. Take the names and examples I present here and start searching the spider web for more… scour bookstores and flea markets… and expand your frame of reference across only what is presented here. I wish I had a source of "hot tips" like this when I was starting time starting out. Have advantage of this smashing resource we're building.
Many thanks to Marc Crisafulli and David Rex for sharing this great book with the states.
Stephen Worth
Director
Animation Resources
This posting is part of the online Encyclopedia of Cartooning under the field of study heading, Newspaper Comics.
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